Though Michael B. Jordan was the breakout star of Creed as Apollo Creed’s rip-snorting fighter son Adonis, Sylvester Stallone got the best material (and the Oscar nomination). His arc saw aging boxer Rocky Balboa coping with non-Hodgkin’s lymphoma, mourning the loss of his friends and loved ones, and ultimately confronting his own mortality. It was meaty stuff, ending on a note of hope and rehabilitation as Rocky scaled the famed Philly steps once again, a bit worse for wear but still tough as nails. Stallone recently spoke out about his plans for the character in the impending Creed sequel, and with Rocky’s health back on the upswing, it looks like the Italian Stallion may have some fight left in him.
One of the saddest aspects about the American film industry’s inexplicable inability to get the Fantastic Four right is the lack of a worthy cinematic representation of their primary foe, the menacing, megalomaniacal, mysterious Doctor Doom. He’s a great character, with all the gravitas of a disgraced royal (he rules over the fictitious kingdom of Latveria, which is not the same as Latvia, in one of my childhood’s most major disappointments) and the volatility of a man driven by revenge. His mythology — the trademark green cape and metal faceplate, his grandiloquent manner of speaking — has already inspired at least one legend in the world of music, and now the movies will finally catch up.
The Wonder Woman sequel train has pulled out of the station, and even with Patty Jenkins’ crossover superhero hit still playing in theaters, it’s already begun to pick up steam. Star Gal Gadot will return for the second solo project for the indestructible Amazon, they’ve landed writer Geoff Johns (who co-produced the Green Lantern movie, so, yikes) to handle the script, and while Jenkins has yet to put her Jane Hancock on the dotted line for another film, details of plot are now solidifying. For Wonder Woman, Diana battled those no-good fascists in World War I, and the sequel will reportedly plop her down in another historical era to intervene in a real-life global crisis. This time, the Rooskies will be the ones shaking in their boots.
The Hollywood Reporter recently unearthed a vintage interview with comics giant Stan Lee from back in 1977, and on the occasion of Spider-Man: Homecoming’s release, they’ve decided to share some of its contents with the public. And if I may editorialize for a moment, it’s the single most relatable, humanizing media appearance the famously camera-friendly Lee has ever done. Because the unearthed truth of this Q&A is that Stan Lee did exactly what I would do — what any of us would do, really — if I was the head of Marvel Comics during the ‘70s: mess with DC all the time.
As The Conjuring’s demonically possessed plaything Annabelle gains in popularity, it’s in murder-doll Chucky’s best interest to get back in the public eye and remind us of who’s the real top dog. Maybe Annabelle’s been stronger at the box-office as of late, but put the two toys mano-a-plastic-mano? Not even a fair fight. Chucky’s simply more sadistic; he really and truly hates people and loves killing them. That quality of violence alone sets his tiny head and tiny shoulders above the rest. In case anyone needed a refresher, we now have the Cult of Chucky trailer.
The news that Ron Howard would take the directorial reins on Han Solo from Chris Miller and Phil Lord was met with a mixed reception by the ardent Star Wars fanbase. Some remembered Howard as the director behind Apollo 13, a movie partially set in outer space (the same location as much of Han Solo, presumably!), and figured he’d be right for the job. Others had fresher recollections of Ron Howard’s Inferno, a.k.a. Bad Tom Hanks Hairpiece 3, and expressed some misgivings. But today, one ardent supporter of Howard‘s has made a statement from the shadows on why he’s a perfect fit for the franchise, though he may have some rubbery, alien skin in the game.
With Spider-Man: Homecoming due July 7 and star Tom Holland teasing the possibility of two more sequels for this latest iteration of the web-head, the franchise’s future has become a topic of interest. And no detail fascinates comic book movie fans quite so much as villainous personnel; Spidey’s many disciples will always be curious to learn which face from the hero’s extensive, colorful rogues gallery will get a big-screen treatment. And while today did not bring confirmation of anything that will happen, it did bring confirmation of one thing that definitely won’t.
There‘s a new gay icon in Hollywood currently enjoying a moment of enhanced visibility. If you find Ellen too squeaky-clean, Neil Patrick Harris too eager-to-please, or Lance Bass too Lance Bass, then you’re in luck, because a new LGBT champion has emerged from the shadows to capture the hearts of millions. He’s here, he’s queer, and he wants to eat the child that cracked open his cursed pop-up book: good citizens of the Internet, the Babadook has burst out of the closet, and he’s hungry.
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